sound art
- interactive sound installation
- August 2020, St. Annen-Kirche Zepernick
- sound installation by Miriam Akkermann, Andre Bartetzki and Eva Alisic
- November 2019, Blaue Fabrik, Dresden
- December 2019, Dax Centre Gallery, Melbourne
- autoactive sound installation
- October 2019, St. Annen-Kirche Zepernick
- interactive sound installation
- July 2018, St. Annen-Kirche Zepernick
- sound installation from 24 years of Randspiele festival
- July 2017, St. Annen-Kirche Zepernick
- installation with manipulated bird songs and balloons
- Januar 2017, former police station at Raschplatz, Hanover
- sound installation with bottles, vibration motors and BeagleBoard
- January 2017, former police station at Raschplatz, Hanover
- autoactive sound installation with slates and vibration motors
- July 2016, festival Randspiele in Zepernick
- multi-dimensional sound scape for Joanna Hoffmann's video art exhibition "proteo"
- January - March 2015, Art Laboratory Berlin
unterton2 ist eine weitere Variante meiner Hörliegeninstallationen, die in anderer Form schon bei verschiedenen Festivals und Ausstellungen zu hören war (u.a. Hörkunstfestival Erlangen, Randspiele Zepernick, Medienkunstfestival ping! Andratx, Música Viva Lissabon), aber auch in eher pädagogischen Zusammenhängen zum Einsatz kam (Blindenhilfswerk Berlin, Kinderheim des Diakonischen Werkes Leipzig).
- autoactive sound field
- September 2014, Soundtour/Randspiele Zepernick
- sound installation for inactive listeners
- July 2013, Soundtour/Randspiele Zepernick
- July 2013, Improv.2013, KlangkunstProjekte, Leipzig
- sonification of the movie database of the Arsenal Berlin
- June 2013, Kino Arsenal am Potsdamer Platz, Berlin
- sound installation for 8 loudspeakers and walking sounds
- June 2013, Kloster Mariensee
- autoactive sound field for 16 horn loudspeakers
- July 2012, Park der Klänge - 100 Jahr Cage, KulturGut Poggenhagen
- autoactive sound installation for 8 horn loudspeakers
- July 2012, Randfestspiele in Zepernick
- autoactive sound field at the Platz der Weltausstellung, Hannover
- May - August 2012
- electromechanical sound installation with flower pots solenoids, Arduino and SuperCollider
- April 2012, SuperCollider-Symposium London, Art Pavilion, Mile End Park
- autoactive sound field with tweeters
- May - August 2011, Blindenhilfswerk Berlin
- electro-mechanical sound installation with flower pots, solenoids and Arduino
- July 2011, Randfestspiele in Zepernick
- audiovisual installation with exciters, projector and codes
- September 2010, .HBC Berlin, within the SuperCollider-Symposium 2010
- autoactive sound field with horn-loaded compression loudspeakers
- August/September 2010, Jutta-Park near Höfgen, Grimma
- autoactive sound-space installation with aluminium foils, exciters and electret microphones
- July 2010, Projektraum Schwarz Berlin, as part of the S.LOW Projekt
- sound installation with horn-loaded compression loudspeakers
- July 2010, Randfestspiele in Zepernick
- autoactive sound installation with electret microphones and tweeters
- July 2009, Festival Randspiele in Zepernick
- installation for plank beds and listeners
- January 2009, 5. Hörkunstfestival in Erlangen
- autoactive sound installation with metal sheets, wooden boards, piano wire, body shakers and piezo pickups
- October 2008, festival ping! in Andratx, Mallorca
- interactive installation for two player pianos, camera and computer
- September 2008, festival música viva in Lisbon
Two pianos are playing together, dancing dreamily together an algorithmic waltz. Nothing can disturb their intimate togetherness - only you, the visitor, could bring them out of their steps ....
- autoactive sound installation with metal sheets, piano wire, body shakers and piezo pickups
- July 2008, Randspiele festival in Zepernick
- sound sculpture with plastic conduits and body shakers
- June 2007, Randspiele festival in Zepernick
- autoactive sound installation with metal sheets and strips , body shakers and piezo pickups
- September 2006, Randspiele festival in Zepernick
Schlingen was developed as site specific installation for the pergola of the parish house of the Sankt-Annen church in Zepernick as part of the XIVth Randspiele.
Several metal sheets and strips equipped with body shakers and piezo pickups were coupled electronically (via a computer) as well as mechanically (via threads or cords) in order to form a nested system of resonators.
- sound installation with body shakers on wood
- July 2005, Randspiele festival in Zepernick
- June/July 2006, KulturWirtschaft in Triebkendorf
- September 2008, festival música viva in Lisbon
Songs from the Wood was part of the festival Randspiele (July 2005) in and around the Sankt-Annen-Kirche in Zepernick (near Berlin).
4 head-high wooden boards leaned against a tree trunk in the churchyard. On the backside of each board were mounted 2 electro-acoustic transducers (also known as "body shakers"). These body shakers excited the boards with partially very strong low sounds so that the visitors, leaning on the boards, were more or less directly physically coupled to the transducers.
- Klanginstallation für Kochgeschirr und Lautsprecher
- August 2002, Akademie der Künste, Berlin
Pots, saucepans, kettles and metal bowls and jugs are mounted on the ceiling over the heads of the visitors. 16 loudspeakers are located within the pots which act as resonators for the sounds recorded in the kitchen.
- installation with tubes, balls, sensors, microphones, computers and loudspeakers
- a collective work by students of the Bauhaus-University Weimar
- and Robin Minard, Dieter Kemter and Andre Bartetzki
- June 2002, festival Inventionen, Staatsbank Berlin
rumor was developed during a seminar at the media faculty at the Bauhaus-University in Weimar. This seminar was held by Robin Minard, Dieter Kemter and Andre Bartetzki. 8 students (Rafa Bernabeu, Antoine Léchevin, Alexander König, Lars Mai, Matthias Neumann, Felix Obée, Hannah Leonie Prinzler, Stefan Wilk) worked for 3 months on different aspects of the design of this sound sculpture: the concept, the construction, the sounds, the sound processing, the sensors and so on. rumor consisted of a huge system of copper tubes looping down several stories of a staircase. On the upper end the visitors had thrown ping-pong balls into the tube. The balls were rolling down through the system whereby at different positions several audio and trigger signals were sent to a computer. These signals were used to control and feed various sound processes which were played back through 16 loudspeakers in the staircase. The more balls were in the system the more excited and lively were the generated sound textures.
- installation and performance
- Rose Schulze (visual design), Andre Bartetzki (sound), Angelika Wenzel (dance)
- October 2002, Randspiele festival in Zepernick
- sound sculpture with plastic conduits and body shakers
- June 2001, Randspiele festival in Zepernick
- interactive sound installation
- June 2000, Randspiele festival in Zepernick
- interactive sound installation with acrylic tubes and car speakers
- June 1999, Randspiele festival in Zepernick
- sound installations by Sergey Khanukaev and Andre Bartetzki for the exposition "Ware Schönheit"
- June - October 1999, museum der dinge, Berlin
This work was the sound design for the exhibition "Ware Schönheit" in the Martin-Gropius-Bau, Berlin.
The organizer, the museum der dinge / Werkbundarchiv, exhibited a large collection of objects under the question: what happens to things when they get transmuted into goods or commodities?
8 different rooms were configured, each of them showing another aspect of the "thing" and its relations.
- interactive sound installation
- June 1998, Randspiele festival in Zepernick
- 6-channel sound installation
- by Thomas Noll and Andre Bartetzki
- Duration: 2 hrs
- 1997, Wasserturm Torgau and singuhr hoergalerie Berlin